If you are inside the marketplace for a brand new SLR, you are looking at a digicam from Canon, Nikon, or Sony. Many of you will have already got lenses, flashes, and different add-ons that you’ve purchased, intending to force you to stick with the emblem you selected unavoidably. And while this is not very exciting, the corporations are so close to high-quality and features that you simply aren’t missing plenty of both. However, for those people looking to begin our SLR frame and lens series, the decision can appear daunting – if no longer not possible. I happen to in shape into this organization. I actually have bought all of my SLR tools to fund other image initiatives over the last couple of years. I used to very own an Olympus E-three and a Sigma SD9. I cherished each of those clothes (particularly the Olympus lenses) however decided to promote them besides. Looking back, I have decided that, for me, the four/3’s sensor is better off inside the micro line of cameras. While Olympus’ lenses are terrific, the sensor can’t preserve as much as the nice of the competitor’s complete body sensors. The Sigma SLRs, I consider nevertheless, have some of the nice image fines you could gain. However, if you shoot better than ISO two hundred, you may no longer like the outcomes from their cameras. So, how do we select between the three other predominant corporations?
When looking at Nikon, a few information standouts above the opposition: excessive ISO overall performance, construct, and usability. Nikon cameras are nevertheless the chief in excessive ISO overall performance. Each camera of their line (the exception perhaps being the D3100) has a great-in-magnificence performance. The Nikon D3S can shoot pics at 12,800 ISO that appearance as noise-loose as ISO 800 with Sony’s A900. The disadvantage? Nikon cameras have the deficient decision, the lowest of all three businesses using a large margin. The D3s, as an instance, have 12 megapixels. The Canon competitor, the 1D Mark IV, has sixteen.1 (Sony does now not have a direct competitor for this digicam). The D700 also best has 12 megapixels, even as Canon and Sony’s offerings are over 20. Larger prints are going to be extra hard with Nikon. However, unless you’re printing mural-size prints, this probably will now not depend on you.
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The build quality of Nikon cameras is insane. Most are indestructible bricks that never sense reasonably-priced or flimsy. Just hold the D700 and the Canon 5D Mark II together; the construct satisfaction is not near. Nikon’s are also greater contoured to human palms, and most customers agree they’re a lot greater comfortable to apply than Canon over the long haul. However, Sony might be identical in consolation to Nikon (and really close to building fine). The downside to this is that Nikon’s are generally very heavy. The Canon 5D Mark II is 1.Seventy nine lbs, the Sony A850 is 1.875lbs, but the Nikon D700 is two.19lbs! While the distinction would not sound like that a lot, you will, without a doubt, be aware of the difference over an entire day.
Nikon customers continuously and annoyingly hold forth approximately the usability of Nikon’s. I’m talking to you, Ken Rockwell! As traumatic as this will be, the truth is that they are right. Nikon’s are faster to use within the field than Canon and Sony. From now not having to press play to study the pictures you shot, permitting pretty lots all capabilities to be accessed with one hand, Nikon’s manage very well. But, up till the latest Nikon D7000, they did not have the capability to keep ALL camera settings briefly get entry to custom putting. You have three custom keep banks in both Canon and Sony expert cameras (the brand new Nikon D7000 nonetheless only has 2).
Canon’s sturdy factors are price, performance/decision ratio, and a trusted records. Canon’s lenses are commonly moderately priced whilst as compared to the competition. While Nikon is insanely costly, Canon always seems to have a similar presenting at a lower fee point. For example, the Canon 35mm f/1.4 lens is $1,369 at B&H Photo, whilst Nikon’s 35mm f/1.4 lens is $1,799 (I’m no longer including Sony’s choice here due to the fact, in my view, the Sony version is a long way inferior. When the Sony Zeiss 35mm f/1.Four is released than with a purpose to be a real take a look at).
Canon’s our bodies are possibly the leaders about the contrast of performance vs. resolution. In maximum cases, the higher the camera’s resolution, the lower the frames per second (FPS), and worse, it performs at excessive ISO’s. Canon’s 1D Mark IV does a perfect activity at excessive ISO’s and FPS; however, it’s far still at a quite high resolution of 16 megapixels. The D3S, as referred to above, is the handiest 12. With Canon, you get excellent of each world…..Sort of. If you pick Canon, you’re making concessions on both sides (excessive ISO and resolution); however, you have a respectable performance from each. While Nikon will provide better excessive ISO performance and Sony’s decision and the element is higher, Canon remains quite exact at each. So if you discover Canon’s overall performance, our bodies true sufficient for your wishes in those two elements that they’re the way to go.
Canon additionally has a long dependent on history; this is subsidized by using the maximum professional users. You recognize Canon might be around, continue to create new products, and attempt to create new technologies. With Sony, they may be distinctly new to the sport, and you cannot be as positive approximately how they may guide their line in the end.
Sony is an interesting animal because they seem to show the most promise but are also the most behind. Sony’s advantages are first-rate Zeiss glass, out of the ordinary resolution, and superior frame and viewfinder experience. Sony has a contract with Zeiss, and consequently, Zeiss creates car-attention lenses for Sony SLR’s which might be higher than the similar Nikon and Canon offerings. They are excellent. However, there aren’t that many Zeiss lenses in the interim. To date, they have made a 24mm f/2, an 85mm f/1.4, a 135mm f/1.8, a 24-70mm f/2.Eight, a 16-35mm f/2.8, and a sixteen-80mm zoom (which isn’t very good). That might also seem like a whole lot of lenses, but there are too many holes in the interim. Zeiss is known for superb primes, and I handiest shoot primes, so I may want to care less approximately the zooms. So with the Zeiss high, we best have 24mm, 85mm, and 135mm lens choices. Until 35mm and 50mm f/1.Four lenses are brought to the lineup and a macro lens; then, the lineup is incomplete. Fortunately, Zeiss has had some conferences displaying they plan to make many new lenses, and I count on those that may be a part of the roll-out this yr. The Sony lenses, which include the G-collection lenses, are basically no longer as par with Canon and Nikon’s excellent. The only exception is the 300mm f/2.Eight high, which is a terrific lens. I erosionally point out that there may be no outstanding-telephoto high, but the 500mm f/4 prime was an. If it is as suitable as that 30omm, it may be a remarkable lens for sports activities and wildlife photographers.
Sony’s decision and an element is higher than the competition; there is not a great deal to argue towards this. The images the Sony bodies produce (with precise glass) are exceptional. However, in the interim, their Pro SLRs get noisy even at ISO 400, which is too low compared to the competition. So shooting in dim mild is difficult on professional Sony cameras. However, their modern-day client offerings, along with the a-33 and a-fifty five (as well as the NEX-five), have outstanding high ISO overall performance. So with any luck, this is a sign of Sony mastering how to manage the noise, and their refresh of the a850 and a900 can be a good deal higher at excessive ISO.
Finally, Sony’s bodies are thoroughly constructed, very at ease, and the viewfinders are the brightest I’ve seen. They also manipulate to keep the burden under control (not like Nikon),whic, which is a nice signal. There clearly are not any negatives to how Sony’s take care of, other than they’re a chunk heavier than the Canon competitors.
Well, that everyone depends (I recognize you hate that). But I’m not going to cop-out and say it is absolutely as much as you and now not deliver a definitive preference; I hate when different writers try this. I’ve broken down the professionals and cons of every digicam emblem; your desires may be distinctive from mine. However, at this point, I might choose Sony if you are beginning new. With the aggregate of Zeiss lenses, promising line up of telephoto primes, super coping with, and excessive-decision, there aren’t many negatives to factor out. Sony’s major problem is excessive ISO overall performance, which they appear to be correcting of their new digicam releases. So, what I might do is purchase a Sony a55 and a Zeiss lens. And look ahead to the a850/a900 to be updated after purchasing that as your Pro SLR.